Avatar Full Episodes Season 3
Episode 60 - Sozin's Comet, Part 3 - Into the Inferno Episode 59 - Sozin's Comet, Part 2 - The Old Masters Episode 58 - Sozin's Comet, Part 1 - The Phoenix King. Jul 19, 2018 - “By the time we made it to the series finale, Mike and I had been living. 3 and Part 4 of “Sozin's Comet” and is currently at work on Season 7 of.
Fans of Avatar: The Last Airbender can probably recite the opening narration, delivered by Katara of the Southern Water Tribe, by heart. Long ago, the four nations lived together in harmony.
Then, everything changed when the Fire Nation attacked. Only the Avatar, master of all four elements, can stop them. But when the world needed him most, he vanished. A hundred years passed and my brother and I discovered the new Avatar: an Airbender named Aang.
Avatar Last Airbender Full Episodes Season 3
And although his airbending skills are great, he has a lot to learn before he’s ready to save anyone. But I believe Aang can save the world.” More than conceptually immense—opening in a fantastical world torn apart by the mechanized Fire Nation— Avatar: The Last Airbender proved itself to be a sweeping adventure story, with wonderful characters to match. Over three seasons, Aang and his friends roamed the land, learning new bending techniques, righting wrongs and staying one step ahead of disgraced prince Zuko, desperate to capture the Avatar and impress his father, Fire Lord Ozai. Divided into three seasons, or Books ( Water, Earth and Fire), Avatar took on a grandeur and scope worthy of its inspirations, which included the movies of Hayao Miyazaki and the experimental anime series FLCL ( Fooly Cooly). Most miraculous of all, Avatar: The Last Airbender ended spectacularly 10 years ago with a four-part finale, “Sozin’s Comet,” that aired on July 19, 2008. The finale is a rare accomplishment, ennobling the characters and bringing a satisfying conclusion to both its world and Aang's spiritual struggle between his beliefs and the violence the world wants from him as the Avatar. “Sozin’s Comet” enlisted the combined talents of three different directors and three different writers, plus a team of storyboard artists and animators at Moi Animation and JM Animation of South Korea.
To celebrate the anniversary, Newsweek spoke with four people integral to the four-part finale, including the series’ creators Michael DiMartino and Bryan Konietzko, who would go on to create a sequel series, The Legend of Korra. “Mike and I figured out a lot about the world, characters and story in the initial two weeks between creating Avatar and pitching it to Nickelodeon,” Konietzko said. “We expanded upon many of those ideas in the subsequent months as we created the series bible and then the test pilot.” The ambitious, unaired test pilot not only introduced early versions of Aang, Sokka, Zuko, Appa, Momo and “Kya” (later renamed Katara), but even included an early glimpse at the ancient lion turtle Aang communes with before his final confrontation with Fire Lord Ozai.
“Stories often take their own course once you start to write them, especially when you have the benefit of a writers’ room and a team of people augmenting and adding to the material,” Konietzko said. “By the time we made it to the series finale, Mike and I had been living with this story for something like five years. Everything had been expanded and detailed beyond what we could have conceived in those early development months.” Still, when looking back at the series bible—a document developed to serve as an internal guide to the characters, settings and overall narrative of a show in the early stages of development—Konietzko and DiMartino found many of their ideas for the finale already in place, years before Avatar premiered in February of 2005. “Aang sealing himself in the stone sphere; Sokka hijacking an airship; Katara helping Zuko to defeat Azula; Aang choosing to spare the Fire Lord’s life and take his bending away; Zuko claiming his father’s throne and vowing to bring the Fire Nation back into balance with the world,” Konietzko listed, describing story beats built in to the grand sweep of Avatar narrative from the beginning.
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“There were plenty of differences too. Azula and Toph were both originally conceived as male characters. Mike and I changed Azula to a female after development and Aaron [Ehasz, the show’s head writer] was adamant during production that Toph be changed to a girl too.
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I’m really glad he won that debate!” Konietzko said. “Our character Bolin from The Legend of Korra is much closer to our original idea for Toph, so we got to have both and it all worked out.” In addition to DiMartino and Konietzko, who together wrote Part 3 and Part 4 of “Sozin’s Comet,” we spoke with Ethan Spaulding, who directed 12 episodes of Avatar, including Part 1 of the finale. Spaulding is currently at work on a “secret project” for Warner Bros. We also heard from Joaquim Dos Santos, who directed Part 3 and Part 4 of “Sozin’s Comet” and is currently at work on Season 7 of Voltron: Legendary Defender on Netflix, which he describes as “almost like a sci-fi sibling” to Avatar and Korra. DiMartino, Konietzko, Spaulding and Dos Santos described “Sozin’s Comet,” from its early production stages to its final moments.